Following the success of his short film Zombie Musical in 2011, the late Ryan McHenry(responsible for the ‘Ryan Gosling Won’t Eat His Cereal’ vines) began developing a feature length version for his debut. He sadly passed away in 2015 while the film, co-written with Alan McDonald, was still under development. John McPhail was brought in as director and Anna and the Apocalypse was completed. Continue reading FILM REVIEW: Anna and the Apocalypse (2017)
“Ladies and gents, this is the moment you’ve waited for”.
And so begins this year’s second lavish musical extravaganza, The Greatest Showman. But have we been eagerly awaiting this one? The trailers were promising, but with an unfamiliar score and a first time director it seemed a risk. Would this just be another Hugh Jackman letdown in the vein of Pan? Continue reading FILM REVIEW: The Greatest Showman (2017)
It’s time for the annual (but not really seeing as I didn’t do it last year) clairestbearest awards. Entirely subjective of course, and I didn’t see everything but nevertheless, here goes: Continue reading THE CLAIRESTBEAREST AWARDS a.k.a. A Very Subjective Best of 2016 in Cinema
La La Land (Damien Chazelle, 2016)
Writer/director Damien Chazelle first came to our attention with Whiplash in 2014. That film, about a jazz student’s sacrifices in the pursuit of success, was my favourite film of the last five, if not ten, years. I’m yet to come across someone who did not like it (and if that person does exist, what the hell is wrong with you?) With similar themes to Whiplash, La La Land follows struggling actress Mia (Emma Stone) and struggling jazz artist Sebastian (Ryan Gosling) as they find love and try to follow their dreams. But with ambition comes sacrifice, and underneath the surface of 1950s-inspired fantasy is 2016’s reality (no, not the disastrous political situation but the average LA artist’s reality). Continue reading FILM REVIEW: La La Land